Eliška is a good girl. Perhaps too good. She lacks sharp elbows and has blind faith. Her free-thinking, capable sister Ilona is all the more active. The two young women throw themselves into building a family business that operates somewhat "from wall to wall," just like Eliška's relationship with a smug, popular athlete. "Does that boy have serious intentions with you? It's hard to find a husband after thirty..." Eliška's pragmatic mother warns her. So it is necessary to clarify whether only Eliška is dating Petr or Petr is also dating Eliška...

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When he didn't want her, a stick or a charmer was used, in more serious cases the love stone helped. When he wanted her too much, an extract of wormwood, comfrey and anise, slightly sharpened with brandy, was slipped to the young man. The marriage recipes were simple at first glance and apparently very effective, judging by the punishments of those who secretly engaged in witchcraft alchemy. Even three hundred years ago, association with unclean forces and possession by the devil meant being sent to the stockade or sentenced to death by burning. This was exactly the fate that befell Magdalena, the parish cook, and Marta, the widow of a wigmaker. As witches, they were condemned to have their souls wander forever without consolation. Three hundred and thirteen years later, Magdalene and Martina's souls managed to "incarnate" into the bodies of two modern women.

Milada Dvořáková is about to get married to her business partner Dub, a gas station owner. When she catches him hugging his secretary, she breaks up with him. She sets up a rival company, ŽUB (Women at Gas Stations), and employs only single women. Dub also gets into the competitive fight...

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When world-champion hockey star Rosťa Beran collapses and requires a heart transplant led by Dr. Magda, whom he once deserted after a single night, he loses his wealth and status and must find new purpose, optimism, and courage to rebuild his life from zero.

Michal unexpectedly remains alone with Zita after a forest cabin celebration and, following a passionate night together, must rush back to town through a series of unexpected obstacles. As they confront dramatic challenges and encounter a mysterious presence and a ghostly figure, they gradually uncover hidden connections between them, all building toward a surprising resolution.

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Against the petty, which places its own glory above honest work and honest human relationships. Čapek's Foltýn is from the family of eternally recurring dramatic themes about the conflict between talent and untalent, soundness and dilettancy, vocation and parasitism, of all kinds.