Eliška is a good girl. Perhaps too good. She lacks sharp elbows and has blind faith. Her free-thinking, capable sister Ilona is all the more active. The two young women throw themselves into building a family business that operates somewhat "from wall to wall," just like Eliška's relationship with a smug, popular athlete. "Does that boy have serious intentions with you? It's hard to find a husband after thirty..." Eliška's pragmatic mother warns her. So it is necessary to clarify whether only Eliška is dating Petr or Petr is also dating Eliška...

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The stories of all the characters are linked to the fate of a media-successful married couple. The film is an account of life in a Central European metropolis, from which humanity and spiritual values are disappearing as a result of a hasty lifestyle. Vera and Daniel's marriage has been deadlocked for a long time, Vera is at the end of her career as an actress and Daniel prefers to hang out with younger girls than with his own wife. In addition, a young Macedonian woman, Liana, enters their family and Vera finds a part of herself in her. Parallel to Vera and Daniel, Eva, a nurse, and Martin, a designer, are looking for a place in life.

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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

When he didn't want her, a stick or a charmer was used, in more serious cases the love stone helped. When he wanted her too much, an extract of wormwood, comfrey and anise, slightly sharpened with brandy, was slipped to the young man. The marriage recipes were simple at first glance and apparently very effective, judging by the punishments of those who secretly engaged in witchcraft alchemy. Even three hundred years ago, association with unclean forces and possession by the devil meant being sent to the stockade or sentenced to death by burning. This was exactly the fate that befell Magdalena, the parish cook, and Marta, the widow of a wigmaker. As witches, they were condemned to have their souls wander forever without consolation. Three hundred and thirteen years later, Magdalene and Martina's souls managed to "incarnate" into the bodies of two modern women.

A chronicle of dramatic events capturing the fates of people living in a Slovak village just after World War II. Thirty years later, the main character Anna recalls a decision that fundamentally changed her life. During the period of incipient collectivization, she chose happiness and a difficult life with a poor man founding a cooperative in the village, although this significantly weakened her relationship with her own mother and at the same time interrupted a long-standing tradition in relation to the preservation of family property.

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